I immediately saw how I could put Farrago to use when triggering sound effects. I participate in a community theater, and when I am not on stage, I like to work in various technical capacities including running sound for shows. Rogue Amoeba says Farrago is designed for podcasters and those managing live performances, and I can see the utility to both audiences. Just be sure that you either have or do not need a license for any sounds you use in any audio you publish or perform. You can record your own or add sounds from public online libraries such as or ZapSplat. It doesn’t change how the application performs but it makes it easy to play each sound in turn, as you might need to do as a play progresses.įarrago comes with a small set of fun sample sounds. In addition to the grid layout, Farrago provides a list view that’s handy when you need to play your audio clips in order. Finally, you can configure a sound to play only while the trigger key is held down. You can configure whether a sound should loop until you stop it, whether a paused sound should resume from the paused point or start over from the beginning, and whether the sound should be played solo, stopping all other playing sounds when triggered. Since Farrago can hold as many sets as you like, if you were using Farrago to manage audio effects for a play, you could create a different set for each scene.Įach sound has its own settings, including two different volume levels you can toggle between, fade in and fade out times, and a start and stop point in the sound in case you want only a small portion of a larger clip. That lets you trigger all your sounds simply by typing letters, numbers, or punctuation. You can color-code sounds for organization and assign each sound 1 of 80 possible trigger keys on your keyboard (40 keys by themselves and those same 40 with the Option key). In short, it should handle whatever sound files you throw at it.įarrago stores its own copy of your sound files, so you won’t lose your sounds if you move the original file to another Mac or share it with a friend. Farrago supports the expected formats like MP3, AAC, Apple Lossless, and WAV, as well as less-common ones like Ogg Vorbis and Real Audio. Then you import sounds by dragging their files into Farrago’s main window, which adds them to whichever set you have selected at the moment. Each tile consists of an individual audio file, as well as related controls for playback. To get started with Farrago, you create a new sound set, which can contain up to 80 individual tiles. A fully featured free trial version lets you trigger 20 sounds per application launch. Farrago requires OS X 10.10 Yosemite or later and costs $39. The idea is that you can trigger one or more sounds at any time, in any order, as needed while recording a podcast, performing live, or just for fun.įarrago is a fresh new take, adding greater control and more options for each sound than previous soundboard tools for the Mac, such as Ambrosia’s seemingly moribund Soundboard, Podcast Soundboard, and Black Cat Systems’ Sound Byte. If you aren’t familiar with the concept of a soundboard, it’s a tool that lets you assign various sound files to buttons in a grid, after which you can play them with the press of a key or a click of the mouse. Rogue Amoeba’s new Farrago is a powerful soundboard application for the Mac.
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